Counsel of Perfection
Thursday 18 July 2024
The Disease Not The Cure - Andrew Malkinson & The CCRC
Saturday 22 June 2024
Blowing our own trumpets - Barristers and social media
There is a not insignificant part of me that longs to have a chambers profile, sans photo and text, that simply states:
If you would like to instruct Max Hardy please telephone his clerk.
Chambers' website photographs are a very good source of entertainment if you have a lot of time to kill on a wet weekend, like a model agency's roster of talent but generally with rather less physical perfection on display. At 2004 Call I don't quite pre-date chambers websites but they were very rudimentary affairs back then and I definitely grew up schooled by barristers who themselves regarded touting as worse than blasphemy and treason rolled into one. Advertising one's services was, not all that long ago, a serious disciplinary offence and, more than that, it was just not done.
Now, however, the baby has well and truly followed the bathwater. True it is I have never encountered a barrister with personalised branded pens like those of a flamboyant Floridian defense attorney I met on the SEC Criminal Advocacy Course which boasted: 'YOU RAISE CASH. I RAISE DOUBT'. And I suppose one should be grateful that no barrister has yet resorted to advertising via sky-writing, flash mob or Oxford Street sandwich board man (although I do dimly recall some bus stop ads a few years back).
But, my learned friends, we need to talk about tone and about content also. Let me immediately acknowledge that those that live in glass houses should not throw stones and, as an occupant of a veritable crystal palace of self-promotion, perhaps I'm not best placed to sound off on this particular topic. Nonetheless, just as our journalistic friends are expected to adhere to style guides, surely the time has long since passed for the profession to discuss and agree comme il faut and how it very much is not.
When I talk to law students about pupillage applications one of my mainstays for advice is sit down with the form, identify every adjective, and then delete them. Adjectives are the friend of the estate agent but the sworn enemy of the advocate. If we boast on social media about a 'stunning acquittal' what message are we communicating to the reader - That we, in fact, had no faith in the case and were therefore astonished by its outcome? That, in our opinion, maybe the jury reached the wrong verdict? Of course those aren't the interpretations we intend, what we mean is, this result could only have been achieved by a barrister as wondrous and uniquely gifted as ourselves.
Because we never receive feedback from the primary recipients of our advocacy, namely juries, it is possible for barristers to complete a practice of 40 or even 50 years with some absolutely fundamental misapprehensions about how our routines go down with the 12 good folks and true. (By way of an aside it's why the Keble Advocacy Course is such a godsend). It is also why I balk, recoil and grimace at what has regrettably become an industry standard expression. Why is it that we have all decided to announce with fanfare on LinkedIn, Twitter and the rest that we SECURED an acquittal or we SECURED a conviction? You secure a mortgage on a tiny flat in Zone 5 because that's all Legal Aid stretches to these days. You secure your framed Certificate of Call to the wall in your downstairs [only] loo. But is it really us securing the convictions? Might it not be, instead, the evidence. After all we don't say to juries: 'You may be sure that Mr X is guilty because I have addressed you with elan, panache and brio'. Judges don't direct them to listen to the advocates and choose whose words were most beguiling and bewitching.
Maybe it's just me but if you've been in a case that has had a result that you think worth bringing to wider attention why not plainly inform your audience what the case was and that you appeared in it. And if you really have to you might add what verdict the jury reached based on their careful assessment of the evidence and the law.
Sometimes it's not just how we say it but what we say that perhaps requires a second, third and even a fourth thought. As a youngster when I was still gauche enough to talk about the day job to friends and relations they were often tolerant enough to raise a weak smile at yet another prolonged anecdote about a scallywag shoplifter. As the years have progressed I have mercifully outgrown talking shop to outsiders unless they evince a really genuine interest. But also the cases rapidly lose any sense of roguish charm. Any RASSO practitioner learns very quickly that their daily diet is quite rightly the stuff of nightmares for most people.
With that thought in mind could it be that there are certain categories of case that require especially sensitive consideration when it comes to publication on social media? We tell juries that nothing less than sure will do but there is quite the sliding scale below sure from a finding of flagrant and malicious concoction to an agonised and agonising decision that the benefit of the doubt must properly be given to the defendant even if the not guilty verdict is delivered with a genuine sense of hesitation and misgiving. Is an acquittal for a serious sexual offence in those circumstances really something to crow about?
I'm a realist, this is the world we live in now, and I wouldn't want any forensic scrutiny or even casual flick through of some of my 'announcements' held against me but if we're going to be blowing our own trumpets it's worth thinking about what tune we're playing and when.
Sunday 5 May 2024
Tales of Tenancy
Wednesday 6 March 2024
In Defence of Jury Trial
Wednesday 28 February 2024
Why I'm not watching The Jury
There are increasingly few places that remain unviolated by TV cameras. Papal conclaves and jury retiring rooms are two that spring to my mind. You may struggle to name that many more. Is it for the best that we don't get to see the horse trading and strong arming that precedes the puffs of white smoke? What about murder verdicts: is it right that we should trust to blind faith that juries faithfully follow judicial directions and bring to bear sober and dispassionate analysis of the competing cases?
You can forget about Vegas it's what goes on in jury rooms that really stays behind. I've been at the Bar for 20 years and involved in literally 100s of trials and can't say with certainty what persuaded the jury in any of them. Like any barrister worth their salt I've obviously wondered what goes on, what gets said and what, in the end, counts.
So on the face of it Channel 4's 'The Jury: Murder Trial' ought to be an absolutely tantalising prospect. But unfortunately I can't bring myself to watch it. A real life murder trial restaged in front of two juries of ordinary people. Both hearing the same evidence. All deliberations filmed. Will they reach the same verdicts? In the absence of cameras filming the Real McCoy isn't this the next best thing? Well no, unfortunately it's not.
In any serious criminal trial there can be moments of real drama. But the purpose of the proceedings is not entertainment and nobody in court is under the illusion that it is. As anyone who has served on a real jury can attest large parts of the criminal trial process can be almost mind-numbingly dull. Try sitting through even 30 minutes of mobile phone cell site schedule evidence, sometimes this can go on for a whole day or even longer.
It is because real lives at stake and the jeopardy is real that attention is maintained. If you filmed that ratings would be through the floor. A criminal trial unfolds to a set sequence. Prosecution opening, prosecution evidence, defence evidence, legal directions, prosecution speech, defence speech, summing up, deliberation. There is a reason for that sequence and it is not entertainment.
I know, without watching the programme, that sequence is not maintained, I know that the jury's opinions on the case are filmed throughout, in a real trial juries are specifically expected to await the end of the summing up before commencing their discussions and deliberations. And there is no director or producer watching on anxiously hoping for controversy and dispute.
12 Angry Men is a classic drama precisely because Reginald Rose sat down and plotted the give and take of the jury room with that end in mind. If those behind the Channel 4 programme were faithfully and absolutely intent on verisimilitude then they would need to gamble upon the experiment making for turgid television. When money and ratings are at stake who is going to take that gamble?
And there's the rub. If this show is to entertain it will need to shock or subvert our hopes and assumptions about juries weighing evidence carefully and objectively. If this show is to reflect real life it has to be bold enough to bore. What it can't do is both and the danger that lies in making good entertainment is doing bad damage to the credibility of a system that works.
Friday 2 February 2024
A paean to pupils and pupillage
To outsiders it may seem that it's our horsehair wigs and Victorian starched collars that are the most unusual thing about the barristers' profession. As a member of that profession I would actually suggest it's our training. We call it pupillage. Securing one can sometimes seem to law graduates as unattainable as the Holy Grail.
It's a peculiar term and for a pupil barrister their job description can seem strangely redolent of childhood. Yet more so for those undertaking work experience with a barrister, who are referred to as mini-pupils. Those instructing pupil barristers were known, until very recently, as pupil masters or pupil mistresses. Now, prosaically and colourlessly, they are known as pupil supervisors. It's a term for which I feel little affection because you master an art or a skill but you supervise a process or a production line.
Periodically it is suggested that trainee barristers should be called, well, trainee barristers. That, of course, is a term that would be familiar to anyone in or out of the profession. It does not however do justice to quite what an education it is to be a pupil barrister. And what a mighty privilege and burden it is to have a pupil.
Most barristers are self-employed and most barristers belong to chambers. We don't earn a salary. We don't have a boss. When we are not in court we work when, how and where we like. If we do our best case prep up a valley without WiFi in Cumbria in the middle of the night that is where and how we will prepare a case.
Preparing cases is a very personal exercise and barristers have to work out what works best for them. But they also need someone to show them how to do it. That is where pupil supervisors come in. In taking on a pupil a supervisor is giving their pupil the most intimate access to their professional life and working practices. If you are an intensely private person or don't enjoy having your working habits scrutinised then pupil supervision is not for you.
It was not that many decades ago that pupils paid their masters or mistresses for the not insubstantial work involved in showing a complete beginner the ropes. Quite rightly that practice, representing as substantial a barrier to the profession as purchasing commissions in the army once did, has fallen into desuetude [that's a lawyer's term]. Pupils are now paid, in fancy commercial chambers substantial six figure sums, in criminal sets rather more modest amounts.
Supervisors, on the other hand, get absolutely nothing for training the next generation of barristers. And there you were thinking all lawyers are venal and grasping, for shame. In fairness that isn't actually true at all because a good pupil can make all the difference between a practice bursting apart at the seams and a well oiled machine of prompt advice and immaculate preparation. I always say a good pupil can halve your workload, although I have heard that a less good one can double it.
It has never, ever felt like work to me. If you care about the profession and you think what it does is important then having a hand in shaping its future custodians feels an almost sacred obligation. Having a pupil certainly keeps you on your toes because your every written and oral interaction has an audience and a witness. And not merely a passive spectator but someone who is looking at your professional conduct as a template for their own.
I had a number of pupil masters all of whom taught me valuable lessons about life at the Bar but the first necessarily always leaves the biggest imprint. I was fortunate that mine was Edward Henry KC who by my estimation is one of the most powerful advocates I've encountered in my 20 years at the Bar. Since parting ways he has led me on a number of occasions most notably in the appeal of Andrew Malkinson. The teacher/pupil dynamic has become one of colleague and collaborator.
If I have had half the effect on any one of my pupils that Edward had on my sense of what a barrister should be and stands for I will count myself a very fortunate person.